《红花之歌》这部影片讲述了一个的是什么故事？
“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
1、《红花之歌》这部影片于哪一年上映？
《红花之歌》是莫里兹·斯蒂勒于1919年执导的一部影史经典剧情片。此片开创其它当代剧情片的先河，《红花之歌》影片开画即跻身票房榜前三，创下年度纪录。当时Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼均为最佳主角，Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼以精彩演技和突出形象，奠定在其它影坛地位。Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼饰演角色造型多年后仍为人所模仿。莫里兹·斯蒂勒之前曾被人怀疑其能力，而《红花之歌》却奠定莫里兹·斯蒂勒剧情片风格。《红花之歌》首映时曾获海外剧情片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1980年代）好莱坞（好莱坞）优秀剧情片齐名。
2、被称为剧情片的开先河之作的《红花之歌》，是莫里兹·斯蒂勒最好的作品吗?
从莫里兹·斯蒂勒斩获剧情片最佳导演 我就觉得这部《红花之歌》是他最好的剧情片。虽然莫里兹·斯蒂勒后来还拍出来了评价特别好的剧情片，但是《红花之歌》是他剧情片的代表作品。
3、《红花之歌》我们应如何理解这部作品得以历久弥新、被尊为经典的核心动因？
提起其它剧情片，人们就肯定会说出《红花之歌》的名字。这部由莫里兹·斯蒂勒导演，Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼主演的《红花之歌》，它无疑是一匹横空出世的黑马，在逆境中闯出了一片天，缔造了当时的一个奇迹。其背后缘由，值得我们深究，我想，就连莫里兹·斯蒂勒导演和Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼，都没想到这部剧情片会得到这样好的反响。莫里兹·斯蒂勒先生曾指出，这部作品是由一群失意者集结而成，是他们共同心血的凝聚。因为在《红花之歌》开拍之前，Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼已经有4年无戏可拍，而Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼主演的剧情片，票房始终惨淡，这样几个人能阴差阳错地聚首，大抵是命运使然。或许，正是这份挥之不去的失意，与那份不容践踏的强烈自尊，共同铸就了这一切，他们在剧情片中投入的热情，是我们难以想象的，其实《红花之歌》片中人物的心灵轨迹与动人故事，何尝不是主创者自身的真实映照？正因怀揣着一股不甘沉寂的孤勇，他们才得以用满腹的才华与深厚的情谊，共同淬炼出这部不朽经典。剧情片，亦在光影交错中，成就了全新的自我
4、如何评价《红花之歌》?
《红花之歌》口碑非常好深受广大观众喜爱，《红花之歌》一经播放即刻引爆点赞狂潮，不仅Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼演的好而且该剧情片故事情节也非常紧凑，四虎影视（www.revmediapublishing.net）观看起来特别流畅同时还能扣人心弦，虽然目前《红花之歌》该片虽开局收视平平，如今却实现惊人逆袭，受欢迎度高居榜单前列。该剧情片主演Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼，她在该剧情片中的演技可圈可点，受到Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼演的好而且该剧情片迷的认可。
5、《红花之歌》剧情片的主要内容
《红花之歌》是一部剧情片剧情片，由导演：莫里兹·斯蒂勒执导，主演：Greta,Almroth,Arvid,Dahlberg,约翰·埃克曼，
“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
6、《红花之歌》是莫里兹·斯蒂勒导演的一部超级经典的剧情其它片，该剧讲述了：“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent ，欲观赏更多相关影视作品，敬请收藏本站：www.revmediapublishing.net
“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
