《极度恐慌1983》这部影片讲述了一个的是什么故事？
PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
1、《极度恐慌1983》这部影片于哪一年上映？
《极度恐慌1983》是Jacinto,Molina于1983年执导的一部影史经典恐怖片。此片开创西班牙当代恐怖片的先河，《极度恐慌1983》影片开画即跻身票房榜前三，创下年度纪录。当时Paul,Naschy,Julia,Saly,Lola,Gaos均为最佳主角，Paul,Naschy,Julia,Saly,Lola,Gaos以精彩演技和突出形象，奠定在西班牙影坛地位。Paul,Naschy,Julia,Saly,Lola,Gaos饰演角色造型多年后仍为人所模仿。Jacinto,Molina之前曾被人怀疑其能力，而《极度恐慌1983》却奠定Jacinto,Molina恐怖片风格。《极度恐慌1983》首映时曾获海外恐怖片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1980年代）好莱坞（好莱坞）优秀恐怖片齐名。
2、被称为恐怖片的开先河之作的《极度恐慌1983》，是Jacinto,Molina最好的作品吗?
从Jacinto,Molina斩获恐怖片最佳导演 我就觉得这部《极度恐慌1983》是他最好的恐怖片。虽然Jacinto,Molina后来还拍出来了评价特别好的恐怖片，但是《极度恐慌1983》是他恐怖片的代表作品。
3、《极度恐慌1983》我们应如何理解这部作品得以历久弥新、被尊为经典的核心动因？
提起西班牙恐怖片，人们就肯定会说出《极度恐慌1983》的名字。这部由Jacinto,Molina导演，Paul,Naschy,Julia,Saly,Lola,Gaos主演的《极度恐慌1983》，它无疑是一匹横空出世的黑马，在逆境中闯出了一片天，缔造了当时的一个奇迹。其背后缘由，值得我们深究，我想，就连Jacinto,Molina导演和Paul,Naschy,Julia,Saly,Lola,Gaos，都没想到这部恐怖片会得到这样好的反响。Jacinto,Molina先生曾指出，这部作品是由一群失意者集结而成，是他们共同心血的凝聚。因为在《极度恐慌1983》开拍之前，Paul,Naschy,Julia,Saly,Lola,Gaos已经有4年无戏可拍，而Paul,Naschy,Julia,Saly,Lola,Gaos主演的恐怖片，票房始终惨淡，这样几个人能阴差阳错地聚首，大抵是命运使然。或许，正是这份挥之不去的失意，与那份不容践踏的强烈自尊，共同铸就了这一切，他们在恐怖片中投入的热情，是我们难以想象的，其实《极度恐慌1983》片中人物的心灵轨迹与动人故事，何尝不是主创者自身的真实映照？正因怀揣着一股不甘沉寂的孤勇，他们才得以用满腹的才华与深厚的情谊，共同淬炼出这部不朽经典。恐怖片，亦在光影交错中，成就了全新的自我
4、如何评价《极度恐慌1983》?
《极度恐慌1983》口碑非常好深受广大观众喜爱，《极度恐慌1983》一经播放即刻引爆点赞狂潮，不仅Paul,Naschy,Julia,Saly,Lola,Gaos演的好而且该恐怖片故事情节也非常紧凑，四虎影视（www.revmediapublishing.net）观看起来特别流畅同时还能扣人心弦，虽然目前《极度恐慌1983》该片虽开局收视平平，如今却实现惊人逆袭，受欢迎度高居榜单前列。该恐怖片主演Paul,Naschy,Julia,Saly,Lola,Gaos，她在该恐怖片中的演技可圈可点，受到Paul,Naschy,Julia,Saly,Lola,Gaos演的好而且该恐怖片迷的认可。
5、《极度恐慌1983》恐怖片的主要内容
《极度恐慌1983》是一部恐怖片恐怖片，由导演：Jacinto,Molina执导，主演：Paul,Naschy,Julia,Saly,Lola,Gaos，
PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
6、《极度恐慌1983》是Jacinto,Molina导演的一部超级经典的恐怖西班牙片，该剧讲述了：PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest ，欲观赏更多相关影视作品，敬请收藏本站：www.revmediapublishing.net
PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
